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The Consort Of Musicke
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Musicke Of Sundrie Kindes
The Consort Of Musicke
Musicke Of Sundrie Kindes
1976 · Renaissance ·
L'Oiseau-Lyre
UK & Europe · 12BB 203-6
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Tracklist
Ars Perfecta (An Internationally Unified Language C. 1500)
Three Generations Of Flemisch Composers, Centered Around Josquin Des Prés
A1
Pater Noster
4:25
A2a
Ich Draghe De Mütse Clütse
1:30
A2b
La La Hö Hö
1:25
A2c
Mijn Morken Gaf
1:20
A3
Pour Ung Jamais
2:15
A4a
Je Ne Fay
5:35
A4b
Mille Regretz
6:15
A5
Caeciliam Cantate
2:50
The Fruits Of Love (The 'Frottola' And The Rebirth Of Music In An Italian Style)
Courts Of Lorenzo De' Medici (Florence) & Isabella D'Este (Mantua) Were Centers Of A Flowering Of Music
B1a
Tastar De Corde / Recercar
4:40
B1b
Calata
B1c
Ave Maria
2:10
B2a
Ostinato Vo' Seguire
1:05
B2b
Suite Regina
2:20
B2c
Chui Dicese E Non L'amare
1:35
B2d
Pavana Venetiana
1:05
B2e
Se Mai Per Maraveglia
3:10
B2f
Suite Ferrarese
2:45
B2g
Hor Che'l Ciel E La Terra
2:20
B3a
Palle, Palle
2:10
B3b
Ne Più Bella Di Queste
1:10
B3c
Quis Dabit Pacem
3:40
Les Cris De Paris (One Hundred Years Of French Musical Fashion)
Rapid Changes Of Taste And A Deep Concern For The Sense Of The Text Lead To A Kaleidoscopic Variety
C1a
Virgo Celesti
1:30
C1b
Belle, Tenés Moy / La Triquotée
2:45
C1c
Celle Qui M'a Demandé
1:20
C1d
La, La, La, L'Oysillon Du Bois
1:10
C2a
Las, Je M'y Plains
1:10
C2b
Content Désir
3:10
C2c
Content Désir Basse Danse
C3
Les Cris De Paris
6:20
C4
Hélas, Hélas, Que De Mal
3:35
C5a
Fière Cruelle
2:20
C5b
Fantasia
2:00
C5c
Mignonne Allons
3:55
C5d
Las, Je N'eusse
C5e
Prince La France Te Veut
1:45
Fa La Li Le La
The Influence Of Italian Popular Music At All Social Levels Throughout Europe In The 16th. Century
D1a
Sentomi La Formicula
0:45
D1b
Quando La Sera
1:00
D2a
Pavana De La Mortè De La Ragione
2:05
D2b
L'e Pur Morto Feragù
2:05
D2c
Saltarello De La Morte De La Ragione
0:55
D3a
La Bella Franceschina
3:35
D3b
Girometta
3:25
D4a
Pavana El Todescho
1:05
D4b
Mi Stare Pone Totesche
1:50
D4c
Matona Mia Cara
2:20
D5a
Passamezzo Commun
6:25
D5b
Recercada
D5c
Padoana Commun
D6
Cathalina, Apra Finestra
3:35
Quodlibet
Fusion Of Flemisch, French & Italian Styles With Local Musical Traditions In The 16th. Century
Germany:
E1a
Christ Der Ist Erstanden
1:45
E1b
O Rosa Bella / Hastu Mir
1:20
E1c
Der Ratten Schwanz
1:40
E1d
Die Katzenpföte
0:55
E1e
Elslein, Liebstes Elselein
2:00
E2a
Bruder Konrad
1:55
E2b
Nach Willen Dein
4:40
E2c
Vitrum Nostrum Gloriosum
1:15
Spain:
E3a
La Spagna
1:10
E3b
Adoramos Te, Señor
2:05
E4a
Fantasia
1:10
E4b
Dulces Exuviae
3:40
E5a
E Qui La Dira
1:50
E5b
Doulce Memoire
3:15
E5c
Lindos Ojos Aveys, Señora
1:10
Per Cantare E Sonare
The Vocal Italian 'Madrigal' And Instrumental 'Canzona Francesa' Were The Largest Scale Forms Evolved
F1a
Recercare A 4
2:00
F1b
Madonna, Qual Certezza
4:30
F2a
Ricercare A 3
2:00
F2b
De La Belle Contrade
2:45
F3a
Canzona Francese
4:45
F3b
Occhi Lucenti
2:25
F4a
Canzona Francese
4:45
F4b
O Voi Che Sospirate
3:40
F5a
Canzona Francese
2:20
F5b
Mille Volte Il Dio Moro
3:00
F6
Sanctus Dominus Deus
2:05
The Merry Dumps (Melancholy And Mirth In English Music From 1480-1620)
Fusion Of Paradoxes Creating A Musical Language Through Borrowing Elements From The Continent
G1a
Thatt Was My Woo
2:00
G1b
I Love, Loved
2:55
G2a
In Nomine
2:15
G2b
Blame Not My Lute
1:55
G2c
Lady WynkFyldes Rownde
1:20
G2d
Where Griping Griefs
1:05
G3a
Shooting Of The Guns Pavan
2:35
G3b
Wand'ring In This Place
3:00
G3c
Dolorosa Pavan
3:50
G4a
Now Each Flowery Bank
3:15
G4b
The Leaves Be Greene
3:30
G4c
Le Rossignol
1:30
G4d
Musick And Mirth
2:00
The Wind Of Change (The Changes Which Led European Society Into A New Age)
They Were Reflected In Musical Styles First In Italy C.1500 And Then Through The Whole Of Europe
H1
La Brillantina
3:00
H2
Sta Notte
2:25
H3
Sonata
6:30
H4
Nerinda Bella
3:25
H5
Toccata
5:15
H6
Lamento D'Olimpia
6:00
H7
Thus Sang Orpheus
3:20
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