Northeast Ohio Punk
Two rust-belt cities, thirty miles apart, inventing punk and art-damage at the same time.
What you're really asking
You're asking about two scenes that share a highway. Cleveland was damaged art-rock made by people who read Creem and worked day jobs — Velvets, Stooges and Beefheart filtered through a city that was broke and on fire.
Akron thirty miles south was tyre factories, Kent State, and bands who treated the industrial collapse as a joke with a beat.
Where it sits
Cleveland, 1974-75: Rocket From The Tombs plays the Viking Saloon and the Agora with half the room hating it. The band existed about a year, straddling 1974 and 1975, playing a handful of shows mostly in Cleveland.
It splits in August 1975 — David Thomas and Peter Laughner to Pere Ubu, Stiv Bators and Cheetah Chrome to the Dead Boys. Ubu presses its own 7"s on Hearthan from 1975.
Laughner dies in June 1977, aged 24. Meanwhile in Akron, Devo — formed at Kent State after the May 1970 shootings — self-releases on Booji Boy, and the Bizarros and Rubber City Rebels split the From Akron LP on Clone Records in 1977.
London notices. Stiff puts out The Akron Compilation in June 1978, a month before Devo's debut album, and briefly sells Akron as the next Liverpool.
The scene
Who: David Thomas, Peter Laughner, Allen Ravenstine, John Morton's electric eels, Mirrors, the Pagans in Cleveland; Mothersbaugh and Casale, Tin Huey, the Bizarros, Chi-Pig in Akron.
Venues: the Viking Saloon, Pirate's Cove, the Agora, JB's in Kent, the Drome shop as clearing house. What: guitars played wrong on purpose, EML synth hiss, lyrics about industry and deformity, almost no London-style sloganeering.
How: you pressed it yourself. Hearpen, Booji Boy, Clone, Terminal — small runs, local sleeves.
Smog Veil and Soul Jazz later dug out what the majors never touched.
The leading records

Pere Ubu
The Modern Dance
1978
Blank Records debut — Ravenstine's synth used as noise, not melody, and "Non-Alignment Pact" opening on a sustained shriek.

Devo
Q: Are We Not Men? A: We Are Devo!
1978
Eno produced it at Conny Plank's studio in Cologne; the band kept the rigid rhythm tracks and binned most of his synth parts.

Dead Boys
Young Loud And Snotty
1977
Sire, produced by Genya Ravan. "Sonic Reducer" is a Rocket From The Tombs song carried east to CBGB intact.
Rocket From The Tombs
The Day The Earth Met The Rocket From The Tombs
2002
Loft reel-to-reels and 1975 concert tapes, issued by Smog Veil — the January 1975 recordings Laughner hand-carried to a WMMS DJ.

electric eels
Agitated / Cyclotron
1978
Recorded 1975, buried three years, then released by Rough Trade — the eels wore safety-pinned rat traps in Cleveland before London had a word for it.
The Bizarros / Rubber City Rebels
From Akron
1977
The Clone Records split LP — Akron bands pressing Akron vinyl a year before Stiff turned up with a marketing plan.
Oddballs

Various
The Akron Compilation
1978
Stiff's attempt to brand a city, assembled after Devo refused to contribute tracks; the tyre on the sleeve is scratch and sniff and smells of burning rubber.

Tin Huey
Contents Dislodged During Shipment
1979
A Warner Bros album of Beefheart-shaped Akron art-rock with saxophone up front. Chris Butler left and wrote "I Know What Boys Like" for the Waitresses.

Peter Laughner
Peter Laughner
2019
Smog Veil's five-disc box of demos, radio tapes and bedroom recordings — the Cleveland scene's connective tissue, finally documented twenty years after the bootlegs.
Keep digging
- What did the Hearthan singles actually press?
- Which Cleveland bands never got a record out?
- Where does Human Switchboard fit in?